Jailbait Rock

I tried to write up a cohesive post about The Runaways after seeing the movie (the first time ;p), but it didn't quite come together. But since The Runaways is definitely my current obsession (or at least one of them), I just have to spend some time talking about them.


The Runaways was an all-girl rock band (officially the first) that formed in Los Angeles and existed during the latter half of the 1970s, and included Joan Jett, who would go on to a successful solo career. I, personally, didn't know about The Runaways until I heard that a film about the band was being shot, starring Hollywood hotties Kristen Stewart and Dakota Fanning (former Hollywood cutie). I'm not ashamed to admit this was my introduction to the band - and anyway, I love the music, and I've become a genuine fan, so it's win-win, right?


So what's the appeal of The Runaways? It should be obvious. The band (and the movie) combines two of my favorite things in the world - rock music...and jailbait! And on that note, I recommend this refreshingly honest review of the movie. (Go ahead, read it now. I'll wait.)


Isn't the poster hot? "It works on so many levels - and most of them will get you arrested." If you're feeling uncomfortable right about now, then you're probably not a rocker. Rock is raw and rebellious; it is violent and sexual. For all the verbal abuse producer/manager Kim Fowley spewed, he was right about the music. Although I think women's lib was an important part of what The Runaways did (i.e., prove that girls can rock just as hard as men - and boy, can they ever!), women's libido was an equally important component. Which is why I was disappointed by the scene where the band gets upset over Cherie's risqué photoshoot. It's not a distraction, it's an integral part of the formula!


The movie, I am told, is based on the real Cherie Currie's memoir, Neon Angel. As such, it focuses on her and Joan Jett's part of the story, emphasizing the chemistry between the two. The end product is a wildly entertaining rock biopic with lesbian overtones (which gives it a decided advantage over other rock biopics), complete with the requisite kickass soundtrack (I was particularly delighted to hear The Stooges during an especially memorable scene). I saw the movie twice in its limited run (don't be fooled, there was no true "wide" release) and enjoyed it just as much both times. I bumped into a fan after the second showing who [enthusiastically] confessed that it was her ninth viewing! This is a movie that I really recommend.

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After my first viewing of the new movie, I tracked down the other Runaways movie that's been made - Edgeplay. Rather than a fictional dramatization, it's a documentary featuring interviews with the band members (minus Joan Jett, unfortunately) and those who were close to the band. So you get a nice picture of the "true" story (at least how it's remembered by those who were there) of the band, and get to know the real members (instead of actresses playing those members - although Kristen and Dakota did a fantastic job). If you're interested in the gritty details of the band, I definitely recommend it, though for sheer entertainment, the new movie is where it's at.


Now let's talk about the actual band. The Runaways had punk and glam influences, but they were a solid rock band through and through. The drummer (Sandy West) and lead guitarist (Lita Ford) were known to have jammed on Deep Purple songs; Cherie Currie (lead singer) was fond of David Bowie; and Joan Jett (guitar, vocals, songwriting) was largely inspired by Suzi Quatro. The band released their self-titled debut in 1976, followed by Queens of Noise in 1977, and a live album recorded during their tour of Japan in that year (they were an instant hit in Japan). Their first two albums are really good, with a lot of great tracks, and the live album is even better. The lead guitar has more room to breathe in concert (compared to the studio), and the live sound on the album is just great.


What are my favorite tracks? Cherry Bomb, which kicks off the first album, is an infectious hit (in a good way). It was written by Joan Jett and Kim Fowley for Cherie Currie when she was added to the band as the lead singer/frontgirl. The song itself is good, but the symbolism behind it - how it represents Cherie, and the raw sexuality of it - adds to its appeal for me. The closing track of the first album, Dead End Justice, is captivating, with the traded off vocals between Joan and Cherie telling a whole story. I was excited to hear part of that song performed in the movie. I can't possibly name all the songs I like, because then I'd just end up listing their whole discography, but from the second album I like Johnny Guitar, which is a bit different from the rest of the band's songs, and has more guitar noodling than average (hence my interest). Really though, the more I listen to these songs, the more I like them, and the more of them I like.


After the Japan tour/album, Cherie unfortunately quit the band. The next album, Waitin' For The Night, features a stronger (and heavier) Joan presence, as she steps up to fill the gap left by Cherie's departure. Don't get me wrong, I love Joan, and I think the songs on this album are strong - they would sound fantastic played out of context - but together they get a little repetitive, as it sounds like the same basic formula repeated song after song (Fantasies is a standout track, though). The band's fourth and final studio album before disbanding, And Now... The Runaways, took the band in a new direction (thanks to new management). The end result is kinda light and poppy, and mostly not as interesting as the band's earlier material.

But there is plenty to love about this band, that much is certain. And instead of writing a conclusion, I'm gonna take the band's example and just run away. :p If you like what you've read/seen/heard here, be sure to pick up one of their albums, or keep your eye open for the movie.